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Duet screened in San Francisco on June 25th before Google I/O Conference as one of three Spotlight Stories, created to " explore spatial awareness and the sensory inputs of a mobile device to create a distinctive storytelling experience." In this case, Keane showed how new technology could bring a new look to traditional hand-drawn animation, one where the viewer follows the character with their cell phone's screen.
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Then came Glen Keane, who brought the discipline and art of hand-drawn animation into this boundary-breaking brand of storytelling. The full presentation has ATAP group leader Regina Dugan breaking down how this marriage or art and technology took shape in dizzying detail. But the most shocking element is that Keane had to draw not the typical 24 drawings per second, but 60, for a frame rate that played best to mobile devices--all this while drawing in three-point perspective. Total, the 3 minutes and 43 seconds of Duet contain 10,055 drawings. From there, technicians painstakingly recreated Keane's drawings into a 3D space. And the final results is the break-taking piece of art above, which Keane calls, "A captivating conversation between the artist and the viewer."
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Screenwriting duo Roberto Orci and Alex Kurtzman have become a Hollywood dream team, penning such blockbusters as Transformers, Transformers: Revenge Of The Fallen, Star Trek (2009) and Star Trek Into Darkness. But this twosome has been branching out into producing, and so have been seeking a scribe to adapt the graphic novel Locke & Key. It looks like they've finally found their guy.
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Spotlight Stories is the beginning of a new storytelling format that's meant to play particularly to mobile devices. The first of these was Windy Day, an animated story about a mouse trying to get his hands on a blown about red hat. Rather than passively watching this short, Windy Day invited mobile phone watchers to use their device like a window into this world. Moving it around, changed the view of what you saw. The second short was Buggy Night, which further explored this concept.
Duet screened in San Francisco on June 25th before Google I/O Conference as one of three Spotlight Stories, created to " explore spatial awareness and the sensory inputs of a mobile device to create a distinctive storytelling experience." In this case, Keane showed how new technology could bring a new look to traditional hand-drawn animation, one where the viewer follows the character with their cell phone's screen.
Watch 22 Jump Street Online
Then came Glen Keane, who brought the discipline and art of hand-drawn animation into this boundary-breaking brand of storytelling. The full presentation has ATAP group leader Regina Dugan breaking down how this marriage or art and technology took shape in dizzying detail. But the most shocking element is that Keane had to draw not the typical 24 drawings per second, but 60, for a frame rate that played best to mobile devices--all this while drawing in three-point perspective. Total, the 3 minutes and 43 seconds of Duet contain 10,055 drawings. From there, technicians painstakingly recreated Keane's drawings into a 3D space. And the final results is the break-taking piece of art above, which Keane calls, "A captivating conversation between the artist and the viewer."
Watch Dawn Of The Planet Of The Apes Online
Watch Transformers Age Of Extinction online
Screenwriting duo Roberto Orci and Alex Kurtzman have become a Hollywood dream team, penning such blockbusters as Transformers, Transformers: Revenge Of The Fallen, Star Trek (2009) and Star Trek Into Darkness. But this twosome has been branching out into producing, and so have been seeking a scribe to adapt the graphic novel Locke & Key. It looks like they've finally found their guy.
Watch The Fault in Our Stars Online
Watch Jersey Boys online
Spotlight Stories is the beginning of a new storytelling format that's meant to play particularly to mobile devices. The first of these was Windy Day, an animated story about a mouse trying to get his hands on a blown about red hat. Rather than passively watching this short, Windy Day invited mobile phone watchers to use their device like a window into this world. Moving it around, changed the view of what you saw. The second short was Buggy Night, which further explored this concept.